Richard Ritenbaugh begins by recapping the first three chapters of the Book of Lamentation: "Woe is me" (Chapter 1), "God did it" (Chapter 2), and "If God is behind it, it must have been good" (Chapter 3). He then focuses on the themes of the chapters 4 and 5. Chapter 4 is a summation of how low God had brought the people of Judah, prompting the theme, "How low can you go?" In Chapter 5, the community bewails what it has suffered, prompting the plaintive theme, "Have You utterly rejected us?" A close reading of the text reveals that, as terrible as this ordeal was, only a few people repented, a reality which justifies Christ powerful rebuke to their descendants, the Pharisees and Scribes, calling them vipers for persecuting and killing the prophets, warning them that their sins would culminate in yet another great destruction. The people suffering under the Babylonians had blindly basked in the privilege of being God's chosen people, while at the same time the blatantly trashed the terms of the Sinaitic Covenant. The inhabitants of Jerusalem could not make a clear cause-and-effect connection between their own sins and what was happening to them. Because the people of Judah demonstrated no fruits of Godly repentance, they failed to achieve anything like a personal relationship with God.
Richard Ritenbaugh, continuing his excursion through the Book of Lamentations, observes that the expressions of sorrow in the Psalms far outnumber expressions of praise, indicating that the Hebrew culture has almost made the lamentation an art form. An organizational pattern useful in the examination of these lamentations is Elisabeth Kubler Ross's grief-model, positing five stages of grief: 1.) denial and isolation, 2.) anger, 3.) bargaining, 4.) depression, and finally 5.) acceptance. These five stages of grief processing seem to be universal, even though outward manifestations may vary from person to person. In Lady Jerusalem's case, isolation, anger and blaming, and inconsolable depression seems to dominate in the first two chapters of Lamentations. She is a long way from acknowledging her own fault, a confession which would lead to the peaceful acceptance of her lot. To this point, she has not even expressed a credible Mea Culpa. In chapter 2, the priests and prophets come under intense scrutiny for relying on their own feelings rather than God's counsel, proclaiming lies rather than truth. The narrator also chastens the people for enabling the false ministers by insisting on their comfort zone, believing they were God's people because they had Solomon's temple in their midst, while at the same time they tacitly accepted the 'pleasures' of sin. In chapter 2, Lady Jerusalem, wallowing in ocean currents of grief, still points an accusing finger at God.
[Editors Note: Audio quality improves at the 4 minute mark.]
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