Revelation 17 depicts a fallen woman astride a beast, drunk with the blood of God's saints. Whom does this image represent? "Christian" history makes the answer plain!
Most commentators see this parable as a positive message of the growth of the church. However, deeper study shows that they have it exactly backward!
Most commentators identify Babylon the Great, the Harlot of Revelation 17 and 18, as either a church specifically or a broader cultural system. John Ritenbaugh, however, produces biblical evidence that the Harlot is overwhelmingly portrayed as a powerful n. . .
Richard Ritenbaugh reiterates that the Kingdom of God or of Heaven has past (Hebrews 11:13), present (Hebrews 12:22), and future (Hebrews 12:28) aspects. The Kingdom parables primarily provide instruction for the present aspect, a time when struggle and su. . .
Richard Ritenbaugh, citing Francis Shaeffer's observation, that bitterness rather than doctrine divides and estranges one member from of Christ's Body from another, suggests that individuals often look for a 'doctrinal' reason to cover up the real reason f. . .
In this sobering sermon, John Ritenbaugh warns of the consequences of fellowshipping outside of God's called-out church. People who suppose they are supplementing their spiritual diet with a poisonous blend of heresy and lawlessness risk losing their ident. . .
John Ritenbaugh ponders the qualifier "righteous" when applied to Lot. Unlike Abraham who separated himself from sinful society, Lot seemed to involve himself in the affairs of the perverted city, arrogating to himself the role of a judge, attemp. . .
John Ritenbaugh focuses upon the typology suggested by Abraham's concealing from Abimelech his true relationship with Sarah. The incident symbolizes Abraham's temptation to compromise his spiritual principles to acquire worldly knowledge (typified by the u. . .
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