Richard Ritenbaugh, marveling about biblical scholars' tying themselves into knots as they consider the proper genre for the book of the Esther— parable, comedy (in the classical sense), chronicle, morality play or fictional drama —reminds us t. . .
Richard Ritenbaugh, reflecting on the widespread belief in many pagan cultures that local tribal deities claim territoriality over their adherents' land, maintains that God had to disabuse Israel from believing such nonsense, using scattering and exile to . . .
Richard Ritenbaugh, observing that the civil Festival of Purim in the Jewish community, commemorating the deliverance of the Jews from virulent anti-Semitism in ancient Persia, explains that this festival is celebrated with a notable spirit of merriment be. . .
In part two of Nebuchadnezzar's dream in Daniel 2, Richard Ritenbaugh shows how the Bible reveals the identity of this second great world empire.
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