Ecclesiastes is full of frustration, bluntness, and even a little hopeless. However, its themes are realistic and necessary for us to grasp.
John Ritenbaugh, reflecting on the recent untimely death of Amanda Allen , focuses on some lyrics of a popular song recorded in 1975 by Matt Monro, titled "Yesterday When I Was Young." Sadly, wisdom is not a trait valued or acquired by youth, but. . .
Ecclesiastes is perhaps the most practical, as well as profitable, book in the Old Testament, providing overviews of life-guiding advice, essentially a roadmap through the labyrinth, which constitutes the Christian's life journey. Ecclesiastes could be con. . .
Love for this world will inevitably bring disillusionment. Because the world is passing away, our priorities should be to fear God and keep his commandments.
John Ritenbaugh explores the different nuances of this huge, sprawling negative concept, ranging from transitoriness, futility, profitlessness, confusion, falseness, conceit, vainglory, denial, and idolatry. Moses encapsulates the Old Testament's understan. . .
God emphasizes Ecclesiastes during the Feast of Tabernacles to show the result of doing whatever our human heart leads us to do. The physical cannot satisfy.
In this conclusion to the two-part vanity series, John Ritenbaugh bridges the Old and New Testament understanding on this vast, sprawling subject. Solomon's statement that all of life is vanity (transitory, useless, and illusory) is only true if one is not. . .
John Ritenbaugh, continuing his exposition on Ecclesiastes 6, appraises the book of Ecclesiastes as the most bluntly profound book in the entire Bible, pointing to our urgent need to develop a relationship with God. We did not create ourselves or give ours. . .
When Solomon visits the Temple, he comes away with a sense that too many treat religion far too casually, forgetting that they are coming before God.
John Ritenbaugh, reiterating that, although Ecclesiastes contains no direct prophecies, it does not present Christ as Savior, it contains no "thus saith the Lord" commands, and it makes no mention of Satan, nevertheless it does deals with quality. . .
Richard Ritenbaugh, reflecting on the writing craft, remembers that one of the unwritten rules in style is that the writer should not use the same word over and over again. In vernacular English, we do not edit our words as much and we may tend to use usel. . .
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