John Ritenbaugh contends that while Scripture does allow for individuals to share their faults with one another for encouragement and brotherly advice, no man has the power to forgive sins or grant absolution, a prerogative retained by Christ and God the F. . .
As Lamentations opens, Jerusalem is personified as a widow who has had to endure the destruction of her family as well as the mocking scorn from the captors.
John Ritenbaugh explores the second chapter of Lamentations, preceding the first chapter in time sequence, describes the stunning and disorienting shock of seeing the total systematic devastation and utter destruction of something formerly considered indes. . .
Richard Ritenbaugh, continuing his excursion through the Book of Lamentations, observes that the expressions of sorrow in the Psalms far outnumber expressions of praise, indicating that the Hebrew culture has almost made the lamentation an art form. An org. . .
Richard Ritenbaugh warns that these laments contain little that is jovial or uplifting, but instead are saturated in despair, sorrow, mourning, and even recrimination against God on the part of a personified Jerusalem, whom God depicts as a grieving widow,. . .
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