Filter by Categories
Moral Sympathy and Spiritual Confusion
Sermon by Martin G. CollinsGod, the ultimate source of good music, designed His creatures with the ability to produce and enjoy it. He intended music to be true, inspiring, thankful, joyous, positive, and good in every way. From the creation of the earth, as recorded in Job 38:4-7, millions of angels joyfully sang when God laid the foundations, demonstrating music's divine origin. In the Bible, particularly in the Psalms, songs were written for musical accompaniment, reflecting God's inspiration, as seen with David, who described himself as a God-anointed singer in Psalms 40:3, and Solomon, who composed over a thousand songs as noted in I Kings 4:32. God Himself composed songs as a witness to His people, instructing Moses in Deuteronomy 31:19-22 to teach a song to the Israelites, ensuring its repetition would embed it in their hearts and minds for generations. Music played a central role in ancient Israel's life, marking every facet of history and emotion with songs for greetings, farewells, marriages, burials, war, and return, as well as romantic, working, and entertainment songs. In worship, music was at the heart of temple services, with grand celebrations involving choirs, trumpets, and instruments, as described in Nehemiah 12:27-43 and II Chronicles 5:12-13, glorifying God with overwhelming joy. The Psalms, especially Psalm 150, command the use of music to praise God, with over 100 references emphasizing this purpose, directing all creation to sing in His honor. Ephesians 5:19-21 and Colossians 3:15-17 further encourage believers to speak and sing to one another in psalms, hymns, and spiritual songs, making melody in their hearts to the Lord, giving thanks always to God the Father through Jesus Christ. These passages highlight music as an expression of the Spirit's fullness, aligning with the fruit of the Spirit—love, joy, peace, and others—as a guide for developing righteous tastes in music. Thus, music, when aligned with God's will, becomes a powerful means of worship and gratitude.
The Song of Moses
Feast of Tabernacles Sermon by Richard T. RitenbaughMusic permeates our daily lives, from morning routines to evening relaxation, and even in nature with bird songs. It is a universal presence, evident in both urban and rural settings, through technology and personal expression. In the context of worship, music holds a significant place, as seen in church services where hymns are sung, and during special occasions with unique musical presentations that enrich our spiritual experiences. God Himself is surrounded by music, as choirs of angels continually praise Him with song. The scriptures reveal that when God created the earth, the angels shouted for joy and sang praises for His handiwork. The Book of Psalms, comprising 150 songs, includes many praises to God, alongside expressions of human struggles and historical narratives. In Revelation, the vision of God's throne depicts angelic beings ceaselessly singing praises, emphasizing that anyone approaching His throne does so with song and music. Specific songs of spiritual significance are highlighted in Revelation. In Revelation 14, the 144,000 redeemed sing a new song before the throne, a unique praise that only they can learn, reflecting their distinct experiences of overcoming great tribulations. In Revelation 15, those victorious over the beast stand on the sea of glass, holding harps of God, and sing the song of Moses and the song of the Lamb, praising God's marvelous works and just ways, acknowledging His holiness and the manifestation of His judgments. The song of Moses, potentially from Exodus 15 or Deuteronomy 32, carries themes of God's judgment on the wicked and redemption of His people. Exodus 15 recounts the triumph over Pharaoh's army at the Red Sea, with imagery paralleling the saints on the sea of glass, celebrating God's intervention and salvation. Deuteronomy 32, a longer composition, speaks universally to heavens and earth, detailing God's justice, the corruption of His people, and His vengeance on enemies alongside compassion for His servants. Both songs present viable candidates for the spiritual song sung before God's throne, embodying themes of destruction and salvation. Ultimately, as participants in the first resurrection, we are called to prepare to sing such songs of praise before God, embracing the lessons of redemption and judgment they convey, and to continue choosing the path of life to join in this heavenly chorus.
Exalt With Music
Feast of Tabernacles Sermon by John W. RitenbaughMusic has an intense power to stimulate the emotions, trigger the imagination, set the mood of services, and serves as a teaching vehicle for instruction.
Psalms: Book Five (Part One): Psalms for the Winter Blues
Sermon by Richard T. RitenbaughWinter is a time of cold, darkness, and sadness. As many as 10% of people in northern areas have Seasonal Affective Disorder. The Psalms for winter can help.
The Christian Walk (Part Four): Mutual Submission in Godly Fear
Sermon by Richard T. RitenbaughAmericans have a hard time submitting to authority and like to consider themselves as sovereigns, having the last say over anything including church doctrine.