The lives of the Minor Prophets span the latter part of the history of the kingdoms of Israel and Judah and extend into the post-Exilic period. As witnesses to the decline and fall of these two unrepentant nations, the prophets report the conditions and at. . .
John Ritenbaugh, reflecting on the imagery in Revelation 12:16 of the torrent or flood spewed out from Satan's mouth, depicts the torrent of misinformation and lies, causing anxiety and confusion. Like the scattering of the church, the greater nation of Is. . .
Haggai's last two prophecies are given on, and revolve around, Kislev (or Chislev) 24. Historically, this date has been highly significant, and it will be again.
John Ritenbaugh, reflecting on the thesis of Eric Hoffer's book, The True Believer, agrees that all mass movements share a cluster of similar characteristics. Although Herbert W. Armstrong, through his advertising acumen, was able to create in a peoples' m. . .
Most of the books of the Minor Prophets were written before the exile of the people of Judah to Babylon, but the final three—Haggai, Zechariah, and Malachi—come from the years after their return to the land. Richard Ritenbaugh summarizes the fi. . .
Richard Ritenbaugh reiterates that the Two Witnesses seem to have carte blanche authority from God to annihilate those who interfere with their work as well as power over weather patterns and natural elements in the spirit, power, and manner of Elijah and . . .
God is absolutely faithful to finish what He started, knowing the end from the beginning. Our strength is dependent upon the relationship we have with God.
David Grabbe, examining the saying, "ignorance is bliss," implying that a measure of peace may come to us if we do not know something that might be disturbing, cautions us that this ignorance is dangerous when it comes to the spiritual preparatio. . .
Laodiceanism is the attitude that dominates the end time. It is a subtle form of worldliness that has infected the church, and Christ warns against it strongly.
Unlike the deplorable picture presented in the world's religions depicting God as a helpless, effeminate, maudlin, hand-wringing sentimentalist, desperately trying to save the world, repeatedly frustrated and thwarted by Satan, John Ritenbaugh brings into . . .
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