John Ritenbaugh emphasizes that we ought to be devoting considerable time getting to know our prospective bridegroom, like the Apostle Paul desiring to conform to Christ in every way before the marriage. This challenge becomes extremely complicated because. . .
John Ritenbaugh warns that the narrow "pay and pray" mentality experienced by many in our previous fellowship took our attention away from the more important overcoming and growing aspect, preparing for the Kingdom of God. We desperately need to . . .
John Ritenbaugh explores the different nuances of the verb "know," indicating that to know God requires experience, positive emotional responses, and the involvement with the whole person. Unlike merely "knowing about" (book knowledge),. . .
Eternal life, emphasizing a special intimate relationship with God the Father and Christ, is vastly different from immortality, connoting only endless existence.
If you knew you would live forever, how would you live? Biblically, eternal life is much more than living forever: It is living as God lives!
Can a book like the Song of Songs contain prophecy that is applicable to today? Richard Ritenbaugh shows that, far from being just a book about married love, the Song of Songs relates to the present condition of the church.
Love is the first of the fruit of the Spirit, the one trait of God that exemplifies His character. Here is how the Bible defines what love is and what love does.
There must be something to prove we are one with Christ, engrafted as part of Him and in union with the Father and the Son. John Ritenbaugh asserts that that something is the manner in which we conduct our life, and we must be living in conformity to the s. . .
Laodiceanism is the attitude that dominates the end time. It is a subtle form of worldliness that has infected the church, and Christ warns against it strongly.
From this often misunderstood and misinterpreted poetical work, Richard Ritenbaugh extracts some hopeful prophecies along with some vivid descriptions of intimate spiritual love. More parable than allegory, the Song of Songs seems to cast the Shulamite in . . .
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