The Statue of Liberty, a symbol of freedom and civil justice, is depicted as a pagan goddess, embodying an age-old deception. Known as Lady Liberty, she is linked to the Greek Athena and the Roman Minerva, goddesses of wisdom, philosophy, and civic virtue, as well as the patroness of good government in ancient Athens and Rome. The statue, presented to the U.S. in 1884 and dedicated in 1886, was designed by Auguste Bartholdi, a Freemason influenced by ancient sculptors like Phidias, who crafted statues of goddesses such as Athena and Nemesis. Bartholdi had previously sought to build a statue of Isis, the Egyptian queen of heaven, for the Suez Canal, depicting a robed woman with a torch, a design mirrored in the Statue of Liberty. This iconic figure also connects to various other goddesses, including the Roman Juno, the Sabine Feronia, and the Babylonian Ishtar or Semiramis, a legendary Assyrian queen known for founding Babylon and her sexual license. The Statue of Liberty, officially titled Liberty Enlightening the World, bears symbols like the seven rays on her crown, reminiscent of Semiramis, and stands on a pedestal evoking Babylonian style. Positioned in New York Harbor, within a city seen as a modern Babylon, she represents a system of enslavement and captivity, contrary to the liberty she outwardly promises. Her presence, tied to the Enlightenment ideals of moral license promoted by figures like Voltaire, Ben Franklin, Gustave Eiffel, and Bartholdi—all associated with goddess worship—reveals a deeper occult symbolism. The statue, also called the Mother of Exiles in Emma Lazarus' poem, is viewed as the embodiment of the Mother of harlots, beckoning the world to a freedom that rejects God's sovereignty. Despite objections from some American clergymen in the late 1800s who opposed placing a pagan goddess on American soil, the Statue of Liberty was embraced, reflecting a growing acceptance of paganism at that time.

President Cleveland inaugurated Lady Liberty as America's goddess, declaring her a peaceful deity greater than all other gods celebrated in ancient song. Her influence remains strong in this nation. To many Wiccans and Pagans, Lady Liberty is a powerful and ancient goddess who guides, inspires, protects, and comforts. Pagans invoke her in rituals for personal and social liberation, include her image in household shrines, and are required to pray to her statue on symbolically important days, leaving offerings and praying for freedom from oppression. For Wiccans and other Pagans, she represents goddesses like Ishtar, Isis, and Athena from various cultures. This goddess worship extends beyond Pagans, subtly influencing mainstream Protestant denominations such as Methodists, Episcopalians, and Presbyterians, where the term goddess is increasingly used. Ishtar, as the Goddess of Liberty, impacts some New Age mainstream Christian churches through doctrines promoting unity via cross-pollination, carrying sexual overtones. Reports of sexual misconduct in certain Third Wave churches involve practices where sexual relations are part of worship, seen as a means to gain spiritual blessings or forgiveness of sins through becoming one with the goddess. Among liberal Protestant denominations, trends move towards Ishtarism, with groups like Liberated for Christ promoting non-monogamous practices, echoing ancient mystery religions deifying figures like Semiramis, also known as Ishtar, Isis, Athena, and Lady Liberty. While pagan gods and goddesses like Lady Liberty appear on public property, there is no opposition to their presence, highlighting a pervasive influence. This goddess worship is expected to persist, even amidst global destruction, as mankind continues to cling to idols and immorality. Lady Liberty, presented as a symbol of peace and freedom, is seen as a destroyer of families and nations through immorality, promising liberty from divine authority.

Lilith, a demon goddess of the night and reputed first wife of Adam, originates from ancient Babylonian lore and appears in Jewish folklore alongside Samael, a Satan figure. Despite her prominence in mythology, she is absent from biblical texts. Some scholars suggest that Isaiah 34:14 refers to this night demon, as the Hebrew word "lilith," derived from "laylah" meaning night, is used there. However, this is the only occurrence of "lilith" in Scripture, and its meaning remains unclear beyond an implication of nocturnality. Strong's Concordance defines it as "screech owl," fitting the context of wild animals in desolate places. The New Revised Standard Version capitalizes "Lilith," implying a personality, influenced by Jewish legend, though nothing in the biblical context supports connecting "lilith" to the Babylonian myth or a specific demon goddess. Isaiah 34 speaks of God's judgment on Edom and its future desolation, portraying a wilderness inhabited by wild animals, not a haunt for a demon named Lilith. The myth of Lilith is considered a Jewish fable, warned against as a source of false doctrine and a distortion of God's Word.

Goddess worship traces back to Enheduanna, an ancient Babylonian priestess of Inanna, whose writings reveal a spirit strikingly similar to modern progressive thought, particularly its rejection of restraint and its embrace of transgenderism. This continuity across millennia points to a single source: Satan the Devil, the origin of immoral and anti-God beliefs throughout human history. This Babylonian influence penetrated even the camp of Israel during the conquest of Canaan, first evidenced when Achan coveted a Babylonian garment God had dedicated to destruction. Shortly after Joshua's death, Israel began worshipping Ashtoreth, which was simply the Babylonian goddess Inanna under another name. This goddess worship gained royal legitimacy when Solomon's wives turned him toward Ashtoreth, and it grew increasingly corrupt when King Asa's grandmother Maachah erected an Asherah image. Jeremiah records the people worshipping the "queen of heaven," another title for Inanna, while Ezekiel describes women weeping for Tammuz, the husband of Ishtar, the same false goddess. Because this demonic spirit had already captured the hearts of Israel and Judah, their later captivity in Mesopotamia represented God simply relocating their bodies to where their hearts already resided. This same spirit, present already in Eden through the Serpent's words, resurfaces in end-time prophecy as Babylon, depicted as a brazen, blasphemous woman. The harlot of Revelation 17 and 18 mirrors Inanna with remarkable precision: both are associated with prostitution, both wear a prostitute's necklace of pearls, and both are marked by bloodshed, as seen in Jezebel's slaughter of God's prophets and end-time Babylon's drunkenness on the blood of saints. Just as Inanna's influence spread across the earth, Babylon sits upon multitudes of peoples, nations, and languages. Revelation's declaration that Babylon is "fallen" points not merely to structural collapse but to a diminished moral state. Babylon's self-glorifying boast—"I sit as queen, and am no widow"—echoes both Inanna's identity as queen of heaven and Isaiah's description of the daughter of Babylon, who arrogantly claims self-sufficiency and even appropriates God's own title, "I AM." This spirit of Babylon, having infected humanity since Eden, now permeates the entire world after six thousand years of influence. It stands opposed to every divine institution, even something as fundamental as God-given gender, promoting deliberate androgyny and gender-destroying confusion that mirrors the image of fallen angels, who do not marry. At its root, this spirit is one of self-determination and rebellion against submission to anything but its own desires. The call to "come out of her" must be continually heeded, since this spirit will not retreat until God silences it, and human nature still inclines each person toward independence and a subtle resistance to full submission to God.