The fallen Woman of Revelation 17 and 18 displays no religious characteristics but is instead involved in the politics, economics, and culture of its time.
Most commentators identify Babylon the Great, the Harlot of Revelation 17 and 18, as either a church specifically or a broader cultural system. John Ritenbaugh, however, produces biblical evidence that the Harlot is overwhelmingly portrayed as a powerful n. . .
We are all affected by the enslaving system of Babylon, as servitude comes in many forms: physical, mental, emotional, spiritual, economic, and political.
Most of us are living in the end-time manifestation of Babylon the Great. We can resist her influence if we understand what makes her so attractive to us.
John Ritenbaugh focuses upon Satan's great rebellion when he rallied one-third of the angels against the government of God. They were cast down to the earth, where they have since held a beachhead of operations, even though the venue has been downgraded fr. . .
A local, Christian radio station in the Charlotte, North Carolina, area has a curious tagline that it uses when it announces its station credentials. ...
Babylon is a system, virtually irresistible to the carnal mind, appealing to ambition and self-centeredness. It is far greater than any church institution.
The world's political, religious, economic, and cultural systems pose a danger to God's people, but God wants us to work out His plan within the Babylonian system.
Revelation 18 indicates that Babylon will receive horrific punishment and ultimate doom in the future. We are warned to come out of her lest we receive her fate. Babylon is a symbol for a political-economic-religious system, just as Egypt is a symbol for s. . .
Though she transgressed every commandment in multiple ways, the spiritual sin through which Israel's unfaithfulness is most frequently demonstrated is gross idolatry. John Ritenbaugh explains that this and other identifying marks—even her persecution. . .
The Spirit of Babylon is couched in brazen outlook of the goddess Inanna/Ishtar, the femme fatale who asserted her free will to overcome the influence of Eden.
John Ritenbaugh explores the negative symbolism of wine (as representing intoxication and addiction) in Revelation17 and 18. The entire Babylonian system (highly appealing to carnal human nature) has an enslaving addicting, and inebriating quality, produci. . .
After showing that today's Europe is far from "Beastly," John Ritenbaugh speculates on the identity of the Woman depicted in Revelation 12. Is she, as the church has dogmatically taught in the past, the church itself—or is she another prophetic entit. . .
David Grabbe, cuing in on verses in Matthew 24 and Luke 17, referring to the sign of eagles or vultures gathering together in the wake of God's impending judgment, corrects some misapplications of these verses, wherein people believe it refers to the Raptu. . .
John the Baptist fulfilled the prophecy of the 'Elijah to come.' We must apply duality of prophecy carefully and cautiously rather than indiscriminately.
Laodiceanism is the attitude that dominates the end time. It is a subtle form of worldliness that has infected the church, and Christ warns against it strongly.
Revelation 17 depicts a fallen woman astride a beast, drunk with the blood of God's saints. Whom does this image represent? "Christian" history makes the answer plain!
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