Who is the Woman of Revelation 17 and 18? John Ritenbaugh explains that this fallen Woman displays no religious characteristics but instead acts as a city or nation involved in the politics, economics, and culture of its time. What nation fits the symbolis. . .
Most commentators identify Babylon the Great, the Harlot of Revelation 17 and 18, as either a church specifically or a broader cultural system. John Ritenbaugh, however, produces biblical evidence that the Harlot is overwhelmingly portrayed as a powerful n. . .
Believe it or not, we are all affected by slavery, as human servitude comes in many forms: physical, mental, emotional, spiritual, economic, political, etc. Martin Collins exposes modern slavery in its many guises, comparing it to the Bible's depiction of . . .
Most of us are living in the midst of the end-time manifestation of Babylon the Great. We can resist its influence if we understand what makes it so attractive to human nature. John Ritenbaugh explains what makes the Mystery Woman tick and why God judges h. . .
John Ritenbaugh, focusing upon II Thessalonians 2:1-5, emphasizing that we must live by faith as we endure the distressing circumstances falling upon our nation at this time. God is, and always has been in control of ALL events, with the overall purpose of. . .
John Ritenbaugh focuses upon Satan's great rebellion when he rallied one-third of the angels against the government of God. They were cast down to the earth, where they have since held a beachhead of operations, even though the venue has been downgraded fr. . .
Revelation 18 indicates that Babylon will receive horrific punishment and ultimate doom in the future. We are warned to come out of her lest we receive her fate. Babylon is a symbol for a political-economic-religious system, just as Egypt is a symbol for s. . .
A local, Christian radio station in the Charlotte, North Carolina, area has a curious tagline that it uses when it announces its station credentials. ...
The world's political, religious, economic, and cultural systems pose a danger to God's people, but God wants us to work out His plan within the Babylonian system.
David Grabbe, suggesting that the Spirit of Babylon actually predates the Babylonian civilization, and was actually the spirit the Serpent foisted upon Mother Eve, convincing her to assert her will over her Creator. The Spirit of Babylon is couched in braz. . .
Though she transgressed every commandment in multiple ways, the spiritual sin through which Israel's unfaithfulness is most frequently demonstrated is gross idolatry. John Ritenbaugh explains that this and other identifying marks—even her persecution. . .
John Ritenbaugh explores the negative symbolism of wine (as representing intoxication and addiction) in Revelation17 and 18. The entire Babylonian system (highly appealing to carnal human nature) has an enslaving addicting, and inebriating quality, produci. . .
After showing that today's Europe is far from "Beastly," John Ritenbaugh speculates on the identity of the Woman depicted in Revelation 12. Is she, as the church has dogmatically taught in the past, the church itself—or is she another prophetic entit. . .
David Grabbe, cuing in on verses in Matthew 24 and Luke 17, referring to the sign of eagles or vultures gathering together in the wake of God's impending judgment, corrects some misapplications of these verses, wherein people believe it refers to the Raptu. . .
John the Baptist fulfilled the prophecy of the 'Elijah to come.' We must apply duality of prophecy carefully and cautiously rather than indiscriminately.
Laodiceanism is the attitude that dominates the end time. It is a subtle form of worldliness that has infected the church, and Christ warns against it strongly.
Our love for beauty must be coupled with love for righteousness and holiness. Our relationship with Christ must take central place in our lives, displacing all else.
Revelation 17 depicts a fallen woman astride a beast, drunk with the blood of God's saints. Whom does this image represent? "Christian" history makes the answer plain!
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