Richard Ritenbaugh, continuing his excursion through the Book of Lamentations, observes that the expressions of sorrow in the Psalms far outnumber expressions of praise, indicating that the Hebrew culture has almost made the lamentation an art form. An organizational pattern useful in the examination of these lamentations is Elisabeth Kubler Ross's grief-model, positing five stages of grief: 1.) denial and isolation, 2.) anger, 3.) bargaining, 4.) depression, and finally 5.) acceptance. These five stages of grief processing seem to be universal, even though outward manifestations may vary from person to person. In Lady Jerusalem's case, isolation, anger and blaming, and inconsolable depression seems to dominate in the first two chapters of Lamentations. She is a long way from acknowledging her own fault, a confession which would lead to the peaceful acceptance of her lot. To this point, she has not even expressed a credible Mea Culpa. In chapter 2, the priests and prophets come under intense scrutiny for relying on their own feelings rather than God's counsel, proclaiming lies rather than truth. The narrator also chastens the people for enabling the false ministers by insisting on their comfort zone, believing they were God's people because they had Solomon's temple in their midst, while at the same time they tacitly accepted the 'pleasures' of sin. In chapter 2, Lady Jerusalem, wallowing in ocean currents of grief, still points an accusing finger at God.
John Ritenbaugh, citing a recent Whistleblower article noting that our society is suffering from mass delusion, a destructive tsunami triggered by the 'progressive' far-left, defines the noun delusion as a false fixed belief held with dogged persistence despite evidence to the contrary. Some mass delusions have produced negligible consequences, such as Big Foot, UFO, and Elvis sightings, but other mass delusions, such as the Salem Witch Trials, have led to innocent lives snuffed out. The current leftist, 'progressive,' impeach-Trump rage is stirring up hatred among the misinformed and under-informed citizenry in massive proportions. As Goebbels observed, if the media tells a lie long enough, it begins to be accepted in the public consciousness and believed by the gullible masses. As the end of the age approaches, the man of sin, under Satan's powerful demonic sway, will delude most of the world. As God's called-out ones, we need to steer clear of the tentacles of the media and mass culture, realizing that believable or plausible lies have led to tragic consequences.
Prior to the study of Lamentations, John Ritenbaugh explores the topic of visions and dreams from the biblical point of view. Visions and dreams, used very rarely by God to communicate to people (God does not play around with people's minds), must be corroborated by scripture or God's law to establish their veracity. The second chapter of Lamentations, preceding the first chapter in time sequence, describes the stunning and disorienting shock of seeing the total systematic devastation and utter destruction of something formerly considered indestructible, and realizing that God was responsible for the devastation. The prophets and the religious leaders bear the greatest blame for this destruction by providing a quasi-religion (with smooth and feel-good teachings condoning sin) and not teaching the Law of God.
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